Utah District Finals: Judges and Accompanist

Judges - TBD
Dr. Carol Anderson | Principal Coach & Accompanist at Utah Opera

Carol Anderson is currently principal coach for the Utah Symphony and Opera, while spending her summers on the music staff of the Santa Fe Opera. Dr. Anderson has also worked on the coaching staffs of Houston Grand Opera, Los Angeles Opera, Seattle Opera, Sarasota Opera, Brevard Music Center, Nashville Opera, Baltimore Opera Company, Opera Festival of New Jersey, and Rice University's Shepherd School Opera.

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Las Vegas District Finals: Judges and Accompanist

TBD
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Colorado-Wyoming District Finals: Judges and Accompanist

Judges - TBD
Robert Spillman | Accompanist

Robert Spillman, Professor Emeritus, was Chair of the piano faculty and Music Director of the Opera Program at the University of Colorado at Boulder. He studied at the Eastman School of Music, receiving a BM degree and Performers Certificate in piano and a MA degree in music theory. In 1964 he received a Fulbright Scholarship and moved with his family to Stuttgart, where he studied with Arno Erfurth (piano), Hermann Reutter (Lied), Hubert Giesen (accompanying) and Henk Badings (composition). Shortly thereafter, he moved to West Berlin where he spent the next seven years accompanying well-known artists. He returned to the United States and joined the faculty at Eastman in 1973, where he coached opera and taught piano, accompanying and vocal literature.

Rocky Mountain Regional Finals: Metropolitan Opera Judge

Gayletha Nichols | Director of the Metropolitan Opera National Council Auditions

Ms. Nichols joined the artistic staff of the Metropolitan Opera in the fall of 2000 as Executive Director of the National Council Auditions. She brought to the Met two decades of experience as a singer, teacher and career advisor. From 1992-2000, she was Director of Houston Opera Studio, the young artist development program at Houston Grand Opera, where she created and individualized the training both for singers and pianists. Ms. Nichols auditions hundreds of singers across North America every year and in her travels addresses many universities, conservatories, and festivals on developing the next generation of opera singers. She is a frequent adjudicator in national and international competitions and consults for other young artist programs across the country.

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