Utah District Finals: Judges and Accompanist


Nevada District Finals: Judges and Accompanist

Mark Morash | Director of musical studies for San Francisco Opera Center

Mark Morash is a conductor and pianist originally from Dartmouth Nova Scotia, Canada. He currently serves as the director of musical studies for San Francisco Opera Center. He has also led productions and concerts with the Merola Opera Program and Western Opera Theater. In recent years, Morash has also led performances of Rigoletto with Opera Colorado as well as Don Giovanni and The Turn of the Screw for the Lincoln Theater in Yountville, California. His work with the San Francisco Opera Center has included such varied repertoire as Così fan tutte, Die Fledermaus, The Merry Wives of Windsor, Donizetti’s Rita , Pasatieri’s The Seagull , Pergolesi’s La Serva Padrona and Ibert’s Angélique . As a collaborative pianist, Morash’s performances have taken him throughout North America, Japan and Russia. Morash has also been involved with the Opera Center of Pittsburgh Opera, Wolf Trap Opera, the Banff Centre, and Hawaii Opera Theater and is a former faculty member of the University of Toronto. Mark can play that really cool piano riff from Billy Joel's song 'Scenes From an Italian Restaurant’.

Christopher Hahn | Artistic Director of Pittsburgh Opera

Christopher Hahn was appointed General Director of Pittsburgh Opera in 2008, having served as Artistic Director since 2000. Since then he has significantly enriched the company’s repertoire, introducing Baroque and contemporary operas presented in a variety of production styles. Trained in his native South Africa, Mr. Hahn began his career in opera in 1983 at San Francisco Opera as Rehearsal Administrator. He then managed the San Francisco Opera Center, including the world-renowned Merola Opera Program, the country’s leading training program for American singers. Following his 13-year tenure in San Francisco, he served as Artistic Administrator at Los Angeles Opera with Plácido Domingo and Peter Hemmings. Mr. Hahn’s expertise in recognizing young vocal talent has made him a sought-after juror at American and international vocal competitions, including the Bernstein Competition (Jerusalem), Plácido Domingo’s Operalia Competition, the Francisco Viñas Competition (Barcelona), the McAllister Awards and the Metropolitan Opera National Council Auditions.

Danielle Orlando | Vocal coach and artistic consultant

Danielle Orlando joined the faculty of the Curtis Institute of Music in 1986 and is an accompanist to many international opera singers, a vocal coach, and an artistic consultant to many prestigious musical organizations. She was accompanist, judge, and artistic coordinator for all of the Luciano Pavarotti International Voice Competitions. She worked with Gian Carlo Menotti and the Festival Dei Due Mondi as artistic coordinator and coach for nine seasons. She was the artistic administrator and head of music staff for the Opera Company of Philadelphia. Ms. Orlando is a guest judge for the annual Metropolitan Opera National Council Auditions and works with the Junges Ensemble of the Dresden Semperoper in Germany. She has performed with the Savonlinna Opera Festival in Finland, and will be returning as a master coach for Oberlin in Italy this year. Ms. Orlando has a residency as returning opera coach for the Palm Beach Opera's Young Artist Program and the WNO Domingo-Cafritz Young Artist Program of the Washington National Opera. She is also a master coach for the Academy of Vocal Arts in Philadelphia.

Kosta Popovic | Accompanist

Kosta Popovic is currently the Opera/Vocal Coach at the University of Nevada, Las Vegas Department of Music. Previously he worked as Assistant Conductor and Assistant Chorus Master with the Metropolitan Opera. He has also collaborated as a member of the music staff with Opera Pacific, Houston Grand Opera, Santa Fe Opera, Spoleto Festival-Italy, Washington Opera, San Diego Opera, Teatro La Fenice in Venice, Italy and Teatro Municipal in Santiago, Chile. In Europe, Mr. Popovic has worked as a Chorus Master with Teatro Nacional de São Carlos in Lisbon, Portugal and with Sächsische Staatsoper in Dresden, Germany.


NewMexico District Finals: Judges and Accompanist


Colorado-Wyoming District Finals: Judges and Accompanist

Brent McMunn | Conductor/Music director of USC Thornton Opera

Brent McMunn is conductor/music director of USC Thornton Opera and assistant professor of vocal arts. His professional operatic conducting debut was with the New York City Opera National Touring Company in La fille du regiment. Shortly after, he made his Lincoln Center debut with the New York City Opera in Les contes dÂ’Hoffmann, and subsequently conducted in four separate seasons for that company. After his New York conducting success, he went on to guest conduct at a number of North American companies, such as Arizona Opera, Calgary Opera, Lake George Opera, Kentucky Opera, Opera New Jersey and Opera Theater of Pittsburgh, and spent several years as co-artistic director of the Ridgefield Opera Company in Connecticut. In addition to his conducting, his work as assistant and cover conductor at LA Opera, New York City Opera, and six seasons at the Santa Fe Opera, has given him a repertoire of over 70 operas, including those by Handel, Mozart, Puccini, the major Strauss operas, and a number of new works and premieres, with a special emphasis on the Bel Canto repertoire. He has continuously enjoyed working with young singers in the young artist programs of the major companies, as a coach at the Juilliard School, and as a faculty member of the Aspen Music Festival.

Judith Forst | Canadian Coloratura Mezzo-Soprano

A participant 1966-8 in the Vancouver OperaAssociation training program, Judith Forst won the 1967 western finals of the San Francisco Opera auditions and the 1968 CBC Talent Festival. A 1968 audition for the Metropolitan Opera led to a contract and her debut there that same year. Forst lived 1968-75 in New York, where she continued her studies with Hans Joachim Heinz while performing as a regular member of the Metropolitan Opera. In 1975 she returned to Vancouver, a city which has remained her home. Forst has been called "one of the few truly world class coloratura mezzo-sopranos on the operatic stage," with a voice that is "bright, sensuous, seamless through its range, full of secure, shining high notes" (COC Magazine Apr 1988). She is an Officer of the Order of Canada and a recipient of the Order of British Columbia. She has sung many roles, and in 2004 she appeared in the Pittsburgh Opera production of Jake Heggie's Dead Man Walking. In 2006 Forst made important debuts at La Scala, in Kát'a Kabanová, and with the Chicago Lyric Opera, in Strauss's Salome. Despite her thriving international career, Forst continued to support Canadian opera, performing as Klytemnestra in the 2003 Vancouver premiere of Elektra, a role which she had sung in concert with the Montreal Symphony Orchestra in 2001; and appearing as Lady Sybil in the world premiere of Lloyd Burritt's The Dream Healer in 2008. She has also been a frequent guest instructor at the University of British Columbia.

Gianna Rolandi | American Soprano

Gianna Rolandi is an American soprano. Following a highly successful 20-year national and international operatic career, Rolandi retired from performing in 1994, and served as director of and principal instructor at the Lyric Opera of Chicago's Patrick G. and Shirley W. Ryan Opera Center, formerly known as Lyric Opera Center for American Artists until 2013. Appearing regularly with the City Opera since her debut, Rolandi moved beyond soubrette roles in operettas, and was a leading coloratura soprano at the NYCO for the next 15 years, singing more than 30 operatic roles, including I puritani, La traviata, La fille du régiment, Rigoletto, Lucia di Lammermoor, The Cunning Little Vixen, Lakmé, and Giulio Cesare.In 1979, Rolandi made her Metropolitan Opera debut as Sophie in Der Rosenkavalier. At the Met she also sang Olympia in The Tales of Hoffmann in 1983, the title role of Stravinsky’s Le Rossignolin 1984 (broadcast internationally), and Zerbinetta in Ariadne auf Naxos in 1984/85 (broadcast internationally). At the Lyric Opera of Chicago she made her debut as Dorinda in Handel's Orlando (1986), and returned to sing Despina in Così fan tutte (1993–94), a production that marked her retirement from the stage.

Allan Armstrong | Accompanist

Allan Armstrong is a highly sought-after collaborative pianist specializing in both instrumental and vocal repertoire. In 2009, Allan was an artist-in-residence at the Arrigo Pedrolla conservatory in Vicenza, Italy where he performed solo, chamber, and lieder recitals. Other recent credits include concert tours of Japan and the premiere performance and recording of the newly revised opera Bluebeard's Castle by Bela Bartok, prepared under the auspices of the composer's son, Peter Bartok. He has shared the stage with renowned opera singers Sherrill Milnes, Mignon Dunn, and the late Jerry Hadley in masterclasses and recitals. In the fall of 2011, Allan appeared with Opera Colorado's production of Sideshow as a pianist/music director.

Rocky Mountain Regional Finals: Metropolitan Opera Judge

Joshua Winograde | Senior Director, Artistic Planning at the LA Opera

Josh blazed quite a trail to become Director LAO’s Artistic Planning and a principal architect of the Domingo-Colburn-Stein Young Artist Program (YAP). A former opera singer with undergraduate and graduate degrees from The Juilliard School in New York, Josh is an alumnus of Houston Grand Opera’s young artist program. While getting his opera-singing career off the ground, he developed a skill for the management side of the opera world. Opportunities to stretch these managerial muscles arose at Juilliard as well as at Wolf Trap, where he founded its young artist opera studio. In 2008, Josh’s career came full circle when he returned to LAO and was instrumental in the birth and evolution of the LAO Young Artist Program. Josh is constantly searching for new singers to add to its already illustrious roster of talented artists. Part of that job requires Josh to attend or act as judge at numerous opera competitions around the world. He recently adjudicated vocal competitions in Moscow, St. Petersburg and Azerbaijan.